Today's conundrum: framing one's work in discussion, or the dreaded artist statement, a work always in progress ... without sounding pretentious.
My favorite statements about my work are the brief ones: "At the core, my art is about life, death and renewal" and "Before we begin to share thoughts, we exist and observe within our own minds: the conscious mind is not dispensable." But brevity doesn't always satisfy the person asking for a better understanding of the artist's approach to art and the artist's intentions in the work.
The detail is where I hit roadblocks. Do I talk about the conceptual framework in which I frame my narratives? I've narrowed that down at the moment to "carrying icons of the past into the present," and if asked, a discussion of particular icons. Do I talk about the formal framework in which I frame my narratives? I've narrowed this down to "drawing based physical and/or virtual installation or arrangement of mutable elements constructed seeing and making marks on shifting planes..." and digressing from there into more specifics about temporary verses permanent, static verses moving -- with the intention of vacillating in the in-between..." Yes, gets wordy -- a problem I have. Both are relevant since my processes themselves are part of the narrative: my methods track life into death into renewal). It seems to get too complicated and involved, easy to tell when the person I am talking to rolls their eyes or begs me to slow down.
Wednesday, February 13, 2008
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