One might distinguish perceptual experience of the world from controlling actions with in it, and recognize the coordination needed between fingers, hands, upper limb, head and eyes as a person reaches and grasps for an object in the person's sights. In what way can the artist cue or disturb this coordination and to what effect?
One might distinguish appreciation of an object's qualities from appreciation of its spatial location. To what extent does cueing or disrupting one effect the other in laying out drawings. Both are qualities by which one identifies the object, or put the other way, by which the identity of the object is processed and perceived.
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