Suited, Swing Low, Posed, Grounded, Trying to Break Free
Treed, Staged, Caned, Scarfed
Monday, January 21, 2008
Sunday, January 20, 2008
Saturday, January 19, 2008
Friday, January 18, 2008
Thursday, January 17, 2008
Mark Making
I'm thinking a great deal about marks today.
I am back to working on canvas, including rediscovering a canvas I started -- and thought I had finished -- over a year ago. I appreciate a quote attributed to Cezanne, at least the paraphrased version -- every mark should finish the piece -- and I try to make each mark count that way; it didn't surprise me that I thought the painting was already complete a year ago. Looking at it today, I was unhappy with the way one closely knit collection of marks just sat on the canvas, like the clunk when a bad note is played on the piano. That loud and off. How did I miss that before? A couple new marks, with my new perspective, softened the harsh area, coaxing it into place. And a year from now?
I am working on a series of canvas pieces sitting a red area inside a larger earth-toned shape, seeing how the eye moves around the canvas and between canvases, what overall shapes move in and out of focus. Apart from a lovely error (clunk), which I'll have to address tomorrow, I feel that I was achieving seamlessness. Conceptually, red = Heart/turmoil; earth = body/grounding.
I am back to working on canvas, including rediscovering a canvas I started -- and thought I had finished -- over a year ago. I appreciate a quote attributed to Cezanne, at least the paraphrased version -- every mark should finish the piece -- and I try to make each mark count that way; it didn't surprise me that I thought the painting was already complete a year ago. Looking at it today, I was unhappy with the way one closely knit collection of marks just sat on the canvas, like the clunk when a bad note is played on the piano. That loud and off. How did I miss that before? A couple new marks, with my new perspective, softened the harsh area, coaxing it into place. And a year from now?
I am working on a series of canvas pieces sitting a red area inside a larger earth-toned shape, seeing how the eye moves around the canvas and between canvases, what overall shapes move in and out of focus. Apart from a lovely error (clunk), which I'll have to address tomorrow, I feel that I was achieving seamlessness. Conceptually, red = Heart/turmoil; earth = body/grounding.
Friday, January 11, 2008
Thursday, January 10, 2008
Wednesday, January 9, 2008
Monday, January 7, 2008
Sunday, January 6, 2008
Friday, January 4, 2008
Pic-A-Day: Fun with Photoshop
Thursday, January 3, 2008
MyArtSpace.com Featured Artist
I am honored to be selected as a Featured Artist this month on myartspace.com A nice, unexpected start to the new year.
The work I have on their site now includes images from the Open Studio residency, images from Unform, Inform, Deform, Reform (Chicago Artist Month -- Andersonville), Ponder and some of its derivative patterns, drawings on surfaces, and a transformation sequence shifting from physical to virtual. I hope to be posting from the Snuggles work a bit later in the month, if that work develops to finished artwork.
The work I have on their site now includes images from the Open Studio residency, images from Unform, Inform, Deform, Reform (Chicago Artist Month -- Andersonville), Ponder and some of its derivative patterns, drawings on surfaces, and a transformation sequence shifting from physical to virtual. I hope to be posting from the Snuggles work a bit later in the month, if that work develops to finished artwork.
Wednesday, January 2, 2008
Happy New Year
Another fresh year begins.
At the tail end of last year, The Drawing Center Viewing Program, which includes an online artist registry, selected me to participate. A high level of many variations on drawing can be viewed in their registry: perusal there is well rewarded. I am honored to be included.
I also finished my stint at the City of Chicago Open Studio, managing to videotape and photograph my installation. I think the experimentation with paper construction will prove significant as I move forward. It was very immediate, yet still meditative, as a process. It's a simple enough step to move to doing this experimentation with more archival papers and varied types of papers. Caution at the other end -- avoid redundancy. I am less certain about the integration of the graphite imagery on newspaper; I like the result, but the process lacked predictability in how the newspaper took the graphite. Ink may well be a better option there. I loaded images of the Open Studio project onto www.myartspace.com -- I'll post the link when I sign back into blogger in using Firefox -- their site has a quick flash program that shows the images in a moving slide show.
I am working on picking up knitting and crocheting. I see utility for expanding the weaving concept in my work, and I see room for using these techniques to expand my drawing. Plus, as an aside, I feel like making cute critters. I have my mother's knitting and crocheting needles, plus some of her patterns, and I found general instructions on the web. I am working more or less free form on my own version of what is beginning to resemble an elephant at the moment as I get the hang of the different crochet stitches.
Here's hoping for a great and productive year!
At the tail end of last year, The Drawing Center Viewing Program, which includes an online artist registry, selected me to participate. A high level of many variations on drawing can be viewed in their registry: perusal there is well rewarded. I am honored to be included.
I also finished my stint at the City of Chicago Open Studio, managing to videotape and photograph my installation. I think the experimentation with paper construction will prove significant as I move forward. It was very immediate, yet still meditative, as a process. It's a simple enough step to move to doing this experimentation with more archival papers and varied types of papers. Caution at the other end -- avoid redundancy. I am less certain about the integration of the graphite imagery on newspaper; I like the result, but the process lacked predictability in how the newspaper took the graphite. Ink may well be a better option there. I loaded images of the Open Studio project onto www.myartspace.com -- I'll post the link when I sign back into blogger in using Firefox -- their site has a quick flash program that shows the images in a moving slide show.
I am working on picking up knitting and crocheting. I see utility for expanding the weaving concept in my work, and I see room for using these techniques to expand my drawing. Plus, as an aside, I feel like making cute critters. I have my mother's knitting and crocheting needles, plus some of her patterns, and I found general instructions on the web. I am working more or less free form on my own version of what is beginning to resemble an elephant at the moment as I get the hang of the different crochet stitches.
Here's hoping for a great and productive year!
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